Non-powered summing amps simply employ a resistor network feeding a pair of busses. There are two types of passive summing devices: powered and non-powered. All options remain open, all options remain yours- the best of all worlds. With our approach to summing you can insert color where, when and how you choose with the onboard processors in the 2-BUS+, or with outboard gear and plug-ins. We at Dangerous have a deep foundation in designing and building mastering consoles and monitor controllers. you are the captain of your sound.Ī true mastering-grade summing amp allows everything you record to come through in its clean, high-headroom environment. That's why you see Dangerous summing in the GRAMMYS for Jazz, Hip Hop, Metal, Pop. Other summing amps do not have these options don't be a hostage to a single sound. Or suppose you like the harmonics, but want less of it. Say the transformer rips on one song, but isn't right on another– simply disengage it with the press of a button. We chose to make the tone and color optional with the 2-BUS+ by designing three original analog color circuits that can be selected and adjusted as you need them. These components can sometimes shape the sound in a pleasing way, but you are trapped with that sound for everything you do. Many manufacturers have a color signature to their sound, incorporating components like transformers or tubes into the design. DO I WANT A CLEAN OR COLORED SIGNAL PATH FOR MY MIXING? A line mixer is perfect if you need to sub-mix keyboards or a bunch of mic preamps to stereo, but is not the best option when mixing a track from your DAW. If it has pan pots and/or level controls on it, it is a line mixer, not a summing mixer, despite what the front panel might say. You do not want to repeat these functions in the hardware because you lose your recall capabilities and you are running your audio through unnecessary electronics which will degrade the sound. IS IT REALLY A SUMMING AMPLIFIER, OR IS IT A LINE MIXER?Ī true summing box designed to be a back-end for a DAW mixer will be “fixed gain and fixed pan,” because the fader and pan controls are in the DAW software mixer. You’ll work faster, use less plug-ins and have fun. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS LT’s analog circuits, you get crystal clear sonic imaging and a wide-open soundstage. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just won’t hit. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. Summing is not designed to “give you the character of a console” as many analog and digital recreations mistakenly promote, but to give you the sonic benefits and beyond. Many analog processors – from delays and reverbs to EQs, compressors and more – have been modeled in the digital realm, but analog summing remains impossible to emulate digitally.
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